Morocco: Lift Restrictions on Amazigh (Berber) Names


Morocco should stop interfering with the right of its citizens to give Amazigh names to their children, Human Rights Watch said today.
Numerous Moroccans living in cities and villages around the kingdom and abroad who chose Amazigh first names for their newborns have been refused when they applied at local civil registrars to record those names. Human Rights Watch wrote a letter to the interior minister, Chekib Benmoussa on June 16, 2009 detailing five such cases and soliciting an explanation. There was no response.
"Morocco has taken steps to recognize Amazigh cultural rights," said Sarah Leah Whitson, Middle East and North Africa director at Human Rights Watch. "It now needs to extend that recognition to the right of parents to choose the name of their child." 
Morocco's Law on the Civil Registry stipulates that a first name must have "a Moroccan character." Local administrators apparently interpret that requirement to mean names that are Arabic-Islamic, even though the Amazigh people are native to Morocco. The law gives parents the right to appeal a refusal in court and to the High Commission of the Civil Registry. Over the years, the commission has ruled on dozens of Amazigh, European, and other non-Arabic-Islamic names, accepting some and rejecting others.
The five cases documented in the Human Rights Watch letter, involving both residents of Morocco and émigrés living abroad, resulted ultimately in victories for the parents. But they succeeded only after bureaucratic delays and lengthy appeals, sometimes enduring hostile or humiliating questions from Moroccan civil servants and the insecurity of having a newborn who, for months, had no legal identity.
"We are happy that these parents prevailed, but no couple should have to fight their government, at this special time in their life, to be able to name their baby," Whitson said.
On August 26, a first instance court in Tahla (province of Taza) court approved an Amazigh name in a sixth case, allowing Abdallah Bouchnaoui and Jamila Aarrach, to name their five-month-old daughter "Tiziri," which means "moon" in Tamazight, the Amazigh language. The victory came only after the couple, who live in the commune of Zerarda in the Middle Atlas, had endured months of uncertainty.
For a seventh couple, the uncertainty continues. On March 11, Rachid Mabrouky went to the civil registry in the Saâda district of Marrakesh to register his two-day-old daughter as "Gaïa." Mabrouky told Human Rights Watch that the official on duty refused to accept the name, contending that it was "not Moroccan." Mabrouky went to the civil registry at the city's prefecture, only to be told the same thing.
When he explained that the name "Gaïa" was Amazigh and therefore Moroccan, the agent on duty persisted in his refusal, exclaiming, "You Amazigh are all fanatics," Mabrouky said. Mabrouky and his wife, Lucile Zerroust, who is French, filed a case in administrative court, where the case is still pending. "Gaïa" is the name of an ancient Berber prince.
Parents of an infant who is not recorded by the civil registrar may face obstacles when applying for a passport for the child, reimbursement by state medical insurance, or other services. Parents who persist in demanding that the government record Amazigh names tend to be Amazighs who are politically active. They say that for every couple like themselves, there are others who avoid giving their children Amazigh names, fearing a humiliating refusal from local officials followed by administrative problems.
The Amazigh are the indigenous people of North Africa and are overwhelmingly Muslim. Today, the two largest Amazigh populations are in Morocco and Algeria, where some are actively engaged in seeking cultural, linguistic, and political rights. In 2001, King Mohammed VI of Morocco created a Royal Institute of Amazigh Culture and began a program to teach the Tamazight language in schools.
Several Moroccans who are Amazigh told Human Rights Watch that when civil registry agents are presented with uncommon first names, they consult lists prepared periodically by the High Commission of the Civil Registry. These lists include dozens of non-Arab-Islamic names, each one marked "accepted" or "refused." Human Rights Watch has copies of some of these lists. According to the law, the commission is composed of representatives of the interior and justice ministries and the kingdom's official historian.
International jurisprudence supports the freedom to choose one's name. The United Nations' Human Rights Committee ruled in the 1994 case of Coeriel et al v. Netherlands, "Article 17 [of the International Covenant on Civil and Political Rights] provides, inter alia, that no one shall be subjected to arbitrary or unlawful interference with his privacy, family, home or correspondence. The Committee considers that the notion of privacy refers to the sphere of a person's life in which he or she can freely express his or her identity.... [This] includes the protection against arbitrary or unlawful interference with the right to choose and change one's own name."
"Unless a first name is patently offensive or objectionable or harmful to the interests of the child, authorities have no business curbing the right of parents to make this very personal choice - especially not when the curb amounts to a form of ethnic discrimination," said Whitson.
Human Rights Watch's letter to Minister of Interior Benmoussa, seeking information about the cases involving the naming of five Amazigh children - Ayyur Adam, Massine, Sifaw, Tara, and Tin-Ass - is online at: http://www.hrw.org/node/85427 (English); http://www.hrw.org/node/85429 (Arabic).



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Amazigh or Arab: keep tolerance!


Amazigh or Arab: keep tolerance!



One of the issues that attract a lot of debate in Morocco when brought to conversation is “Tamazight”. From the question of race, identity, culture, to alphabets in which the language should be written in, and the right of “Amazigh” people to hear and use their language in public administrations as well the use of “Tamazight” in Moroccan school.

“Tamazight” was, still and will always be one of the hot and complicated subjects for it is a vital element of Moroccan identity. And as any controversial subjects with many ramifications, everyone tackles it from an angle and defends his point of view but sometimes ignore the other’s even if it may contain certain truth.

The debate intensifies more between “Arabs” and “Amazighs” and in many cases raises conflict especially when fanatics from both sides come together. And everyone tries to intimidate the other and exclude his right of existence particularly when they enter in race discussions, and who is from where, and who has the right in Morocco?

For some “Arabs”, and insist on some because not all of them has this view, “Tamazight” is only a primitive language and culture that has no value in the 21st century, and there is no benefit to knowing about it or the culture of “Amazigh”. And those who defend ideology goes so far and see it as a threat for “Arabic”, the holly language of Quran, and that it might be also a threat for Islam. And of course, it’s only an ideological use of “Arabic” for some goals and gains and has nothing with reality. From when Arabic language is necessary to be a Muslim, if it was, most of Asian people wouldn’t have been Muslims, but they are. Defending “Tamazight”, language and culture, has never been against Islam. And for “Amazigh” people haters, and they are numerous, I just tell them where we can take the bulk of Moroccan society if you don’t like them?

For some “Amazigh” fanatics that see “Arabs” as enemies, I also ask them the question where can we take those you think are “enemies” away from you? They have the right to exist as you think you have, and if some of “Arabs” really have hurt “Amazighs” and “Tamazight” and some of them still and will always fight their right of existence fiercely, but not all of them do. And hatred you might harbor toward “Arabs” if not harm the cause you are defending, will never serve it.

To be objective, “Tamazight” has suffered for long, and it has sustained a lot of prevention, and now it’s not bad if it gets some care, and its constitutionalization in the late constitution is just the entrance, and a lot of work still needed.

I’m an “Amazigh” and I have a lot of “Arab” friends and never judge them by their origins. And when I want to defend “Tamazight”, I never defend race because in Morocco, few could be completely sure of their origins, and absolutely be certain if they are pure Amazigh or pure Arab, but I defend culture and language no matter what your roots are.  We have to accept each other with different langue and culture, and this tolerance is something we have to keep in mind when dealing with anyone different from us, whether he is “Arab”, “Amazigh” or whoever.




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Moroccan Art


Moroccan Art

Moroccan art is very rich and diverse. Moroccans have safe guarded its techniques and traditions for centuries.

Babouch

soukThe Neolithic period is a milestone in building the Kingdom of Morocco. In fact, immigration from everywhere and thoughout history has brought up a rich tradition of Moroccan art and craft.

Eventhough I grew up with a lot of these pieces around me in the house, in restaurants, mosques and almost everywhere I went, I had not estemated its precious value and artistic beauty untill I grew up and traveled overseas for an extended period.

My longing for home sweet home has stirred unexpected dazzlement and particular interest in Moroccan art, initially when I took a color and design class in college and then when I worked on various interior design projects in new york.



Now, every time I go to Morocco I find myself compelled to buy my next precious piece. I am into jewelry. what are you into?

Moroccan Woodworking.

Moroccan Carpets.

Moroccan Leather.

Moroccan Jewelry.

Moroccan Metalwork.

Moroccan Pottery.

moroccan woodworkToday, the past, old traditions and the diversity of the Moroccan people and its culture have given birth to the richness of Moroccan craft which has more than 70 trades and a surprising diversity of designs and materials which are used: wool, leather, wood, sorrel, alfa, the dom, clay, stone, marble, copper, iron, silver, gold, iron ...


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Moroccan Arts and Culture


Moroccan Arts and Culture



The almost medieval-like hustle and bustle of Morocco is for most travelers a world away from their own cities and towns. The culture and people are usually so completely different from what they know that they often find themselves in situations to which they have no idea how to react. The following brief explanation of Moroccan art and culture is designed to help you get the most out of your stay in this amazing country.

Art
The art of this country is truly special. Many historical examples are on display at the local museums. More modern examples are on display at art galleries and in souks. Beware of cheap imitations though!

There are so many different ways that the people express themselves – in carpets, clothing, jewelry, ceramics, sculpture, painting, carving, and calligraphy. They even hold an international art festival once a year to showcase all their talent. If you ever have the opportunity to visit this country, you should consider buying some of the local artwork. Not only will it provide you with a little memento of your trip, but it will help out the local people who are usually quite poor.

Culture
Souks are a way of life in Morocco and you usually wont have to go far to find one. You can often get good bargains here, but remember that most Moroccans will have a lot more experience than you will when it comes to haggling the price so you will seldom find yourself able to get better than that which is offered.

You may find, if you are friendly and courteous enough, that you will soon start to make friends with the locals. If this happens and you are invited to a meal, it is good to keep in mind some of the local customs. For example, you will usually take off your shoes when entering a house. You can follow your host’s example in this regard. Also it is a good idea to take a gift of some sort with. If you are in a home in the city you might take some pastries or some sugar with you. If you are in the county it would be better to buy a live chicken for the household which is likely to not be quite so well off. A home invitation is perhaps the most authentic way to sample Moroccan dishes. Most Moroccan food is eaten with the hands. If you are invited to join someone for a meal, you should always eat with the right hand as the left is supposed to be used for the toilet.

Any plans to visit mosques will usually meet with failure as these are considered to be very holy places that only Muslims are allowed access to. Though this is allowed in other parts of the world, the closest you will likely get to the inside of a mosque in Morocco is if you visit some ruins or disused mosques such as Tin Mal and Smara. Most other monuments are on view to the public for a price and you can also observe certain celebrations such as the Imichal wedding Fair.

When taking photographs of the local people, it would be wisest to ask their permission. Taking a photograph of someone with out their permission – especially in rural areas – can cause offense. This may result in them demanding money from you – even if you only intended to take a scenic shot of something. In contrast, taking photographs of someone you have become friendly with is usually very welcome. Often people with whom you’ve become acquainted will take you to a place where they can get a photograph taken with you for themselves. You should not be unfriendly about this as it usually does not result in you paying for the picture or any further harassment.

Traditionally the men take to the streets and the women are in control of their homes. This means that you will not often find woman in cafés or restaurants. If you are a woman and you strike up a friendship, you will likely be invited to the person’s home or to a hamman (bath) for further association. On the other hand, if you are a man or a man and woman traveling together, you will likely be invited into a café for some tea or a meal.

In general, Moroccan culture can be an exiting and worldly experience. The people are friendly and the place is colorful. Hospitality is really a part of their culture so you can strike up friendships virtually anywhere if you have the right attitude. Usually this results in further association with these dynamic and interesting people and a real taste of Moroccan life.



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Moroccan caftans and Takchita


Moroccan caftans and Takchita ... These traditional outfits enhanced by fabrics, stones and techniques maalem still finer and more delicate but also by the imagination of creative talent!

The takchita (alternate spellings: takshita, tackshita, tackchita) is a Berber Moroccan traditional women's garment That, like the Moroccan caftan, is worn for celebrations, weddings Particularly. It is composed of two pieces, a dress as a first layer, of fine Often ornately decorated but not fabric, and a more elaborate second layer or over-dress That Often buttons up the front using the traditional sfifa akaad and closures. The upper layer is richly adorned with embroidery Often, beading or sequins.
Modern interpretations of traditional Moroccan clothing, Particularly the takchita caftan and jellaba are Exhibited at the annual Caftan fashion show in Morocco and hosted by the Moroccan fashion magazine



Caftan, Caftan 2012, caftans marocains , Takchita , Jabador, moroccan kaftan. Caftan pour negafa , caftan mariée , caftan à traine, caftan manches courtes.

 


Caftan bustier, caftan moderne en vente dans la boutique en ligne CAFTANY. Vente en ligne de caftans marocains. Location de caftan en Lorraine et dans toutes la France.




Caftan marocain moderne et traditionel , takchita negafa ou invitée, caftan et takchita , caftan 2012, caftan bustier, caftan à traine, caftan à manches courtes, caftan moderne, show room de caftans.
allthingsmoroccan:

allthingsmoroccan





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sahara occidental du MAROC


"sahara occidental"..........est histoire du Sahara marocain est une partie intégrante de le histoire de marocanisation.











Le Maroc est un État d’Afrique du Nord limité au nord par l’océan Atlantique, le détroit de Gibraltar (15 kilomètres) et la Méditerranée, à l’est et au sud par l’Algérie et au sud-ouest par la Mauritanie (voir la carte détaillée). Le Maroc est donc situé à l’extrême nord-ouest de l’Afrique, juste en face de l’Europe, dont il n’est séparé que par les 17 km du détroit de Gibraltar. Le Maroc fait partie des États du Maghreb dont c'est le pays le plus occidental.









Avec ses 446 550 km², sans le Sahara occidental dont il revendique le territoire, le Maroc est le plus grand pays de la région après l'Algérie. Pour l'instant, le Sahara occidental n'a pas encore trouvé de statut définitif au plan juridique, soit plus de trente ans après le départ des Espagnols en 1976. Selon l'ONU, le Sahara occidental figure sur la liste des «territoires non autonomes». Le territoire est revendiqué à la fois par le Maroc, qui le désigne maintenant comme le Sahara marocain, et par la République arabe sahraouie démocratique (RASD), fondée par le Front Polisario en 1976. Dans les faits, le Maroc contrôle et administre aujourd'hui environ 80 % du territoire, alors que le Front Polisario, pour sa part, n'en contrôle que 20 %. Le Maroc revendique également les enclaves espagnoles de Ceuta (18,5 km²) et de Melilla (20 km²) situées au nord des côtes méditerranéennes.











chapitre 1



chapitre 2



chapitre 3





histoire et société du Sahara Occidental





Les origines du Sahara Espagnol



La colonisation Espagnol





chapitre 4



chapitre 5





L'indépendance ses conséquences pour le Sahara


mariage marocain hands


mariage marocain hands,mariage marocain hands,in http://ryoweb.blogspot.com/



Here is Part II of Cynthia and Hatim’s wedding in Marrakech, Morocco. What an event!! It all started with the henna ceremony on the friday night. Cynthia, helped by the two negafa (the ‘official’ women in charge of the traditional outfit), was wearing a green dress, the color of Islam, to get her hands and...



Ijlal and Pierre’s wedding took place in Rabat, the capital city of Morocco, where most of Ijlal’s family lives. The traditional celebration started with the henna ritual at her grandma’s house followed by the gala-like reception in the impressive Royal Palace Tazi in the center of Rabat.





Ijlal changed dresses five times (traditional kaftans and the more elaborated ‘headdress’) and Pierre also made an appearance in the traditional djillaba. The evening was nothing but singing, beating drums, dancing, and eating. Food was abundant and delicious such as Pastilla and Tajine.



























Ijlal and Pierre, thank you so much again for those amazing days in Morocco. Geat moments to photograph and to share!!http://ryoweb.blogspot.com/