In this paper, we well survey the complicated dynamics of change and/or conservation within the repertory of the traditional oral Berber dancing songs called Ahwash, as this genre is still performed among certain Moroccan Berber-Jewish communities immigrated to Israel in the mid 1950’s and early 1960’s. Definition of ‘ahwash’ with respect to other Moroccan musical genres The term ‘ahwash’ covers several forms of local varieties of a Berber village collective dance in which participants, men and/or women sing while dancing collectively in the Atlas Mountains and around in Morocco (v. Chottin; Rovsing-Olsen). Despite the lack of a historical concrete picture of how the Judeo-Berber vernacular variants interfered, each time through history, in the everyday life of those Jewish communities (v. Zafrani; Lakhsassi) who lived for centuries in those areas (v. Schroeter), Jewish participation in ahwash, as dancers, singers and even as lyrics improvisers, has been witnessed in such localities as...
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